作为18世纪朝鲜两班文人的代表，洪良浩在朝鲜文学史上是一个独特的存在。他留在世上的遗作较多，综观其著作，可知其文学论的重点是对“天机”的探讨，并将天机论纳入自己的文学实践中，从而，创作出“天人合一”的诗歌，深得后人的尊崇。目前对洪良浩的研究，主要侧重于对其诗歌作品内涵的挖掘，而对其文学观、文学理论等相关研究则略显薄弱。鉴于此，笔者将可收集到的洪良浩的著作《耳溪洪良浩全书》作为第一手资料，进行分析、梳理、提炼，从中归纳出“洪良浩的天机论特征及其诗学意味”，从而客观、公正、全面地评价他的文学地位。论文以马克思主义美学理论为指导原则，利用社会历史批评方法、传记批评方法、接受美学等批评方法，从天机的渊源与概念着手，梳理朝鲜文人接受中国天机论的状况，及朝鲜文人在不同时期对天机论所表现出的不同倾向与主张（第一章）。所谓天机，意味着与文学论密切相关的大自然固有的性质或反对人为修饰的天然属性。朝鲜朝以前的文人受到道学主义文学观的影响，反对技巧主义，主张心性修养，天机具体表现为性情之正。而朝鲜朝文人则反对过分强调道德主义倾向的性情之正论，许筠、金昌协等文人主张自然抒发的率真情感，天机则归属于性情之真。洪良浩的文学观可概括为对道气论的理解与民族文学精神的追求，他指出传统的理气论所具有的弊端，对道气论文学观提出了新的见解，即所谓文章称为经纬，经为道，纬为气，经纬错综，自然成章，反对从观念出发的诗歌创作，洪良浩所主张的天机论就蕴含于他的文学观中。首先，他的天机论表现为他对委巷诗歌所持有的肯定态度。他将天机视为自然平等赋予人的特殊才能，而不是把天机作为否定身份与地位差别的根据。他肯定委巷诗人也同样受赐于天机，因而，通过抒发性情的真实性，自然而然能创造出佳作。这可归结为其打破身份秩序的近代意识的萌生。其次，强调真实性与自发性的诗学，探究“妙悟”的诗境，指出近体诗的弊端，在诗歌创作中反对人为的技巧与修饰，主张于无意中自然创作之境界。在此基础上进一步考察朝鲜文学史中接受天机论的理论背景（第二章）；洪良浩的文学生涯及文学观、洪良浩天机论的诗学意味、天机论的逻辑结构（第三章）；洪良浩的民谣意识及自得之妙的创作论、真情实境的美学追求（第四章）。总之，天机论作为一种文学思想，对洪良浩的文学创作乃至朝鲜后期文学创作产生巨大影响。洪良浩虽是一名两班士大夫文人，但始终站在民众的立场上关心群众疾苦，对委巷文学的发展起的作用是不可估量的，并为实学思想的广泛传播和接受提供了现实依据。 关键词：洪良浩，天机论，民谣诗，民谣意识；

As the representative of North Korean bureaucratic scholars in the 18th century, Hong Lianghao is a unique scholar in North Korean literary history. Hong Lianghao left many posthumous works in the world. Totally observe his works, we can find his literary review emphasize on the study of "nature’s mystery". He also brought it into his literature practices, thus created the great poems of “integration of nature and man", which are venerated by the posterity deeply. Now the research of Hong Lianghao is mainly focus on the analysis of the connotation of his poetry, while the research of his literary view and the literature theory is a little inferior. In view of this, taking "Colleted works of Erxi•Hong Lianghao " as the firsthand material, this thesis concludes the feature of his “nature’s mystery theory” and the poetics implication，thus it appraises his literary status objectively, fairly and comprehensively. Taking the Marxist aesthetic theory as the guiding principle, using the social and historical criticism method, the biography criticism method, Receptive Aesthetics criticism method and so on, this thesis starts with the origin and the concept of mystery theory to describe the situation of the North Korean scholar’s acceptance of Chinese nature’s mystery theory and their different tendency and the opinions about nature’s mystery theory in the different times. The so-called nature’s mystery means the intrinsic attributes between nature and literary review and the natural attributes which restraint the artificial decorates. The former North Korea scholars are influenced by the Taoism literary view. They opposed the skillful principle, advocated the feelings and accomplishment of human beings, so mystery is reflected as the right of human nature. While North Korea scholars opposed to overemphasize the theory of the right of the human nature, which has the moral principle tendency, Xu Jun, Jin Changxie and some scholars advocated to expresses the sincere emotion naturally, in this way, nature’s mystery is reflected as the authenticity of human nature. Hong Lianghao’s literary view can be summarized as the understanding of the theory of “Tao Qi” and the pursuit of national spirit of literature. He pointed out that the disadvantages of the theory of “Li Qi” and put forward new understandingof literary view of “Tao Qi” theory. Namely the so-called the longitude and latitude in the thesis, the longitude is “Tao” and the latitude is “Qi” .The latitude and longitude are crisscrossed, and formed the article naturally. It opposes the idealistic poetry creation. Hong Lianghao’s nature’s mystery theory contains in his literary view. It reflects in his affirmation to the “Weixiang” poetry. He looked the nature’s mystery theory as the special talent given by the nature equally and not the ground to distinguish the status. He affirmed that “Weixiang” poets also bestowed by the nature’s mystery theory. So they could create excellent work naturally, through the expression of the disposition of the human nature. It can be conclude as the appearance of the modern consciousness, which aimed to break the status order. Then it emphasizes on authenticity and the spontaneity of poetics, explores poetic conception and background of “witty intuition” and point out the advantages of Modern Style Poetry. He advocated writing naturally. On the basis of the first chapter, it further inspects the theoretical foundation of acceptance of the nature’s mystery theory in the North Korean literary history ( the second chapter); Hong Lianghao’ literary career, literary view, poetics implication, the logical structure of the nature’s mystery theory(the third chapter); Hong Lianghao’ ballad thought, creation theory and realistic aesthetic pursuit (the fourth chapter). In a word, as the literary thought, nature’s mystery theory influences Hong Lianghao’ literary creation and also the later period of North Korea the literature. Although Hong Lianghao is a scholar, he is in the common people’s stand all along. His influence on the development of “Weixiang” literature is inestimably. He also provided the realistic basis for the spread and acceptance of the real learning thought. Key words: Hong Lianghao, the nature’s mystery theory, the balladry, ballad thought