鲁迅的《野草》始终贯穿着一股强烈的怀疑精神，具有普遍的社会意义。在相隔10年以后的中国九叶派代表诗人穆旦身上，我们也发现了这种宝贵的怀疑品质。《野草》的怀疑精神具体体现在对人的生存困境进行质疑，既拷问生存，又质疑死后，既质疑行动的意义，又主张“绝望的抗战”。穆旦诗也有一股类似的怀疑精神，表现为对生命的本质进行质疑和追问，是冷峻的逼视、清醒的超越，诗人敢于正视并且面对“丰富的痛苦”。《野草》怀疑精神的基本特征很鲜明，具有现代主义特质、多疑、双重视角，还具有丰富性。穆旦诗的怀疑精神也有类似之处，表现为现代性、多疑，也具有丰富性，是丰富的痛苦。《野草》和穆旦诗的怀疑精神不是一蹴而就的，和当时的历史语境有着密切的联系。鲁迅是“五四”这个怀疑时代的“怀疑家”，怀疑的时代孕育了这种怀疑精神；而穆旦诗的怀疑精神所植根的现实土壤是有阶段性的，抗日救亡时期、1950年代、1970年代都有当时不容怀疑的主题，出身于不容怀疑的时代，穆旦仍然坚守这种怀疑精神，并且创作出了“另类”的精湛诗作。从“内”、“外”两个视角看，《野草》和穆旦的怀疑精神表现在两个方面：即对自我生存困境的怀疑和对社会现实命题的追问。在质疑生存困境时，《野草》侧重于表现生存的焦虑和对行动意义的怀疑，展现出来的是在希望和失望中的心理绝境，主人公最终的选择是绝望的抗战。在穆旦诗中，也描写了个体处于现实与历史、希望与绝望、光明与黑暗、过去与未来等多种力量的冲突中的矛盾心理，但是突出表现的是突围或者搏求；此外，一些社会现实命题也在自我的生存困境中留下了投影，如“黄金世界”、“看戏、做戏”等等，这种怀疑精神在穆旦诗中得到了很好的继承，穆旦结合自己的时代，对“残缺”、“演戏、看戏”等现象进行了不同程度的追问。怀疑精神的最终指向是反抗，鲁迅是“绝望的抗战”，穆旦的反抗则有着流变过程，20世纪40年代，表现为“突围”、“搏求”，50年代表现为谨慎的质疑，70年代则表现为无言的反抗。由此可以看出，《野草》的怀疑精神对穆旦诗确实有着重大影响。

Abstrac through a strong suspicion spirit of universal social significance. In 10 years time China nine Ye represented poet Mudan on, we also discovered that the suspected valuable quality. "weeds" in the concrete embodiment of the spirit of the suspected existence of the plight of people questioned for both soldiers survive, and after questioning, questioning the meaning of the action, and advocated "desperate resistance." Mudan poems have a similar suspicion spirit, the essence of life in the form of questions and questioning is the watch intently cold, sober beyond, the poet had the courage to face and the face of "rich suffering." The basic spirit of the "wild" suspected very distinct characteristics, characteristics of a modern, and skeptical, double vision, but also a richness. Mudan also wrote suspected spiritual similarities performance for modernity, skeptical, but also a richness, is rich suffering. Mudan poetry of the "wild" and not one of the suspected spirit, and then history is closely linked speaking context. Lu Xun "54" this era of suspicion "suspected" and the era of doubt about the spirit of this question; Mudan poetry and spirit rooted in the reality of suspected soil is at the anti-Japanese invasion period, the 1950s and 1970s have no doubt that the subject was suspected to be an era Mudan still adhere to the suspected spirit, and create a "alternative" superb poetry. "weeds" and the spirit of Mudan suspected from the "within" and "outside" perspective to see the two, manifested in two aspects : namely, the survival of self-doubt and the plight of the social realities proposition asked. Questioning the survival plight, the "wild" focus on performance anxiety and survival action against suspected significance, demonstrate the hope and disappointment in the psychological situation, leading character ultimate choice is desperate resistance. In Mudan poem, but also about the individual in history and reality, hope and despair, brightness and darkness, and the past and future of the conflict and other forces ambivalence, but outstanding performance is a breakthrough or try to; In addition, some social realities proposition is self-survival difficulties left projection, such as "Golden World," "watch a movie, show, "and so on, the suspicion is a good spirit in Mudan wrote succession, Mudan combine their own age," found "," show, watch a movie, "a phenomenon of varying degrees of questioning. The ultimate point is suspected spiritual resistance, Lu Xun is "desperate resistance," Mudan resistance is a psychological process of evolution, the 20th century 40 years, the performance as "a breakthrough", "give to" performance of the 1950s to cautious challenge is manifested in the 1970s Silent resistance. From here we can see that the spirit of the "weeds" of suspected Mudan poetry does have significant impact